Seniha

I shot the entire thing in black and white. Not because Mono needed it and not because I wanted it to feel dramatic. I did it because the more I looked at the image, the more color started feeling unnecessary. Removing it changed the way I looked at everything. Instead of focusing solely on the styling or the environment itself, I started noticing the shapes. The lighting. The reflections. The way the scene felt instead of what it looked like.